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Fitness

The Pros and Cons of the Incline Press

Back in my day we did a lot of pressing lifts to train for our Olympic lifts. Included in these was my favorite, the incline press. Here are some of the things you need to know to do it correctly.

Dresdin Archibald

Written by Dresdin Archibald Last updated on Nov 20, 2022

In my long ago days as a three lift Olympic lifter we did a lot of press-type lifts to help not only the Olympic press itself but also our overhead work in general. Despite modern criticisms on how pressing can be harmful to performing proper jerks, we seldom missed any jerks in those days since we had some quite awesome shoulders capable of holding up anything we could realistically think of putting overhead. We did lots of strict overhead presses and inclines angled the same as how much we thought we back bended in the Olympic press. In meets lifters always would bend even more (although I, of course, was honest). Now that my quick-lifting days are over I have rediscovered the incline press and also it’s many pitfalls.

Related: The Best Chest Workouts for Muscle Mass, Strength, and More

The incline is a nice compromise between the overhead and bench presses. It works mostly the clavicular pecs instead of the sternal ones, while still giving a lot of work to the delts (drive) and tris (finish). At the same time it is a little easier on the lower back than the overhead version since the isolated position on a supportive bench stabilizes the lumbar spine. Unlike the bench press, bridging or even just arching is not really possible. So the incline press is an honest one.

History of Equipment

Equipment is important in this exercise. Evolution continues. The first incline benches available were generally garbage. They were not very sturdy and had no attached racks. Lifters would either get others to hand him the weight or else they would clean it first, then sit down and lay back to lift. To get rid of the bar the latter bunch simply front squatted upwards and then wrestled the bar down. As a result, dumbbell inclines were more common at this time.

The incline benches used in commercial gyms were often of the “standing” variety; these were similar to a long sit-up board held up at some angle. The lifter lay along the length of the inclined platform, supported by built-in foot-holds. The bar was usually taken off of squat stands, themselves often rickety. At least with these a miss could be more easily handled by standing upright and wrestling the bar to the floor. Few such benches exist today. Again, dumbbells were common.

How Much Incline?

If one is talking “inclines” then the exact degree of that incline will sooner or later become an issue. Different slopes will hit the muscles at different angles and therefore produce different strength and hypertrophic effects on the muscles involved. Trainees want this option. But long incline benches made angle adjustment and bench stability difficult.

incline press, incline bench press, incline bench, press for olympic liftingFor these reasons the seated incline eventually became more popular and the gym standard. Some benches have a fixed angle, usually at the halfway 45 degree mark. Others are adjustable to a number of desired angles – from zero (or flat bench), and moving to 30, 45, 60, and 75 degrees (for seated overheads). I myself prefer a 60 degree angle, but that’s just me. If the bench is adjustable make sure that the mechanism is capable of holding the barbell plus the bodyweight. Many home models are just not strong enough for a serious athlete. A collapsing incline bench underneath you and a barbell over you are not funny.

Modern Equipment

Seated incline benches may or may not come with racks and even if they do they may or may not be height adjustable. And even if they do adjust they may or may not suit each individual user. Some may also be adjustable in width but those are rare. Most annoyingly we have adjustable angle benches that work fine for flat benches but end up with the bar behind the lifter’s head when inclined. Useless.

Rackless benches will need a power rack to lift off of. Ultimately though rackless benches used in conjunction with a power rack is usually one’s best bet. The rack’s saddle heights are adjustable while the bench itself can be moved for-and-aft to taste. A set of safety bars placed just below the upper sternum level when on the bench will take care of any misses.

The Lift

incline press, incline bench press, incline bench, press for olympic liftingNow the lifter has his or her equipment ready they are ready to take on the job of lifting the bar. The first two things anyone new to inclining notices is that pressing will be harder than on a flat bench and the pressing “groove” is much narrower front-to-back, in direct proportion to the degree of incline. This affects the lift two ways. One, it is hard to find a place where the bar can be un-racked without a lot of rearward moment arm. Two, the return trip will also be tougher. The pecs want to throw the bar out front into moment arm territory. But the lifter also finds that if he or she tries to keep the bar back towards the face the top lift and re-rack will often involve banging into the racks and/or saddles. As a result, precision technique becomes important at both ends of the lift.

  • Set-up – Experiment with the set-up of the equipment you are using. Get the bench, its angle, saddles, and safety bars in their desired positions if these are not fixed. Load the bar. Try to minimize the rearward un-racking moment arm while still being able to keep the bar away from the rack and saddles when lifting.
  • Spotting – Spots are not needed in a rack except for maybe as part of an un-racking. Psych-up routine, feeling a light bar and all. Spotting is needed only if there are no safety bars or other such preventatives. If so then it is good to have built-in spotting stands or two competent end spotters.
  • Grounding – Get yourself into the proper position on the bench – butt to the bench, blades squeezed in, proper hand position and grip, and legs planted wide enough to help to avoid any bench tipping. Keep the abs and back tight. Nothing much new there if you already know flat bench technique, as I will assume you do.
  • Centering – Start your concentration and psyching routine if you have not already done so.
  • Charging – Take a few breaths and then do a Valsalva.
  • Un-rack – Take the bar from the racks and move it forward to the start position. Charge and Valsalva some more if necessary.
  • Lowering – Lower the bar straight to the top of the sternum. Those with long forearms may have to float the bar. Use either a touch-and-go or a full pause as desired.
  • The Drive – Try to drive the bar upwards hard enough to get through your sticking point. KEEP THE BAR CLOSE TO THE FACE. This minimizes the moment arm. Don’t slow down when coming to the sticking point as that tends to psych you out.
  • The Finish – Lock-out the bar to complete the rep. Repeat as often as desired.
  • Re-rack – When the set is completed carefully re-rack the bar. Remember, there is a moment arm. Do not miss the saddles since your head will still be between between the saddles and the safety bar.

Now, just PUSH, PUSH, PUSH, PUSH, PUSH.

Photos courtesy of Shutterstock.

Dresdin Archibald

About Dresdin Archibald

Dresdin Archibald is a 63-year-old accountant from Edmonton, Alberta, Canada. He started weight training in 1963 at age 14, moving over to the Olympic-lifts in 1966, and continues training to this day.

As an athlete, Dresdin competed in his prime at 90 kg and did best lifts of 115 press, 102.5 snatch and 142.5 C&J (all kilos). He competed in three Canadian National Championships and two Canada Games, and also completed a month-long training camp at the famed Athleten Club Mutterstadt in Germany in 1974. Also on that trip was Rob Macklem, who took his first lifting photos there. Dresdin did take a turn at the Masters, lifting in the 1992 Worlds plus a couple of Pan-Ams. In his early days, he also did a bit of powerlifting, marking his 46th birthday with a 300 kg squat.

Dresdin has been an International referee since 1970 and was promoted to No. 1 level in 1980. He is still very active, producing a Referee’s Manual every Olympiad, which gives a fuller explanation of the IWF Technical Rules. He has officiated at Senior and University Worlds, Pan Am Games and Championships, as well as the Commonwealth Games. He has also help organize several National and International level competitions and served as a team leader at the LA Olympics and several Junior and Senior World Championships. Dresdin also served on the Canadian Olympic Committee.

Dresdin has met many luminaries over his years of involvement in Olympic lifting, including Bob Hise II and III, Bill Starr, Oscar State, Tamas Ajan, Lyn Jones, Wally Holland, Clarence Johnson, Philippe St. Cyr, the Coffa Brothers, Maurice Allan, Jim Schmitz, Dieter Stamm, John Thrush and many others. Without those contacts, he would not be in the position to share any of his knowledge today.

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